A giant butterfly at the window

Prompt

Edit image 1. Keep everything exactly the same - camera, framing, railcar, the reader with his book over his face, the mug, the middle dozing man, the knitting woman, the clouds in the left windows, light and colour - except: (1) Remove the dozing man sitting in the right foreground; that stretch of sage corduroy bench is now empty. (2) The large windows on the right side of the car are now completely filled by the colossal butterfly's dusty berry-red velvet wing pressed against the glass, with its great blue-ringed eyespot, exactly like the wing in the windows on the right of image 2; the butterfly is far too big to be seen whole. (3) The long proboscis comes in from the right edge of the frame through the open top of the nearest right-hand window, next to the wing. Keep the butterfly's proboscis on exactly the same path and at the same thickness, but make its surface matte dark charcoal-brown with a soft, slightly velvety texture and very faint fine rings along it, tapering gently to a fine tip, so it reads as a living insect's drinking tongue - not rope, not a hose, not a cable, no shine. (4) The knitting woman behind the reader bows her head a little more so the brim of her wide straw hat hides her whole face and chin. (5) The bench cushion beside the mug is plain sage corduroy with no stitching or marks. Nobody's face is visible. Film still from a dreamy 1970s summer movie, 16mm color negative, warm sun-faded grade, lifted milky shadows, creamy highlights, moderate saturation, fine grain. No text, no signs, no logos. Inputs: Image 1 https://v3b.fal.media/files/b/0ab13993/mwspqKdNMygy6jaJ_ssei_t_bf9bd4d065.jpg, Image 2 https://v3b.fal.media/files/b/0ab13993/zUXKoPOQup-aG62UzeZaN_t_ba93e8654e.jpg